Online Video Marketing Basics: Part 4 - Choosing The Right Video Production Equipment

Online Video Marketing Basics: Part 4   Choosing The Right Video Production Equipment

Welcome to Part 4 of our ongoing Online Video Marketing Basics series.  It's intended to be a help—a sort of guide, if you will—for individuals and businesses just getting started with online video.  We've already covered Why You Should Get Involved with online video, Choosing A Video Style, and the choice between Self-Producing Or Hiring A Professional.

Today's topic?  Equipment.

Naturally, if you've decided to hire a professional, that person will have their own equipment.  This fourth part of the series is aimed at those who choose to self-produce.

I've been where you are before.  I've seen others go through it too.  You're full of enthusiasm and energy.  The idea of getting involved in online video is still relatively new to you, but has been marinating long enough that you're pretty excited about it.  Which is great.  You want to harness that energy.  But you don't want to allow it to make you sloppy or rushed.

I have a friend who has a small music blog.  Its readers are fiercely loyal and absolutely adore this friend of mine.  Recently he decided to completely ofverhaul his website, changing the focus from written interviews with musicians to creative video interviews and performances.  I clearly supported the idea, and even encouraged it.  Video is where it's at, as we covered in Part 1.

But this friend is also an incorrigible optimist.  You cannot slow him down once you get him revved up about something.  So a day or so after he and I had been brainstorming about his transition, I was surprised to learn that he'd already bought a video camera.  He breathlessly showed it off to me—it was pretty neat… your standard HD camcorder, I think maybe a JVC (I don't honestly remember).  My first reaction was, "Wow, that was fast.”

He figured, why wait?  He knew he wanted to start doing video, he got excited and energized, and before he knew it he'd already made a purchase.

A few weeks later, though, and he was lamenting the haste of that purchase.  The audio, for instance, was not very good with that camera, which meant that he was probably going to need to find a secondary audio device for recording.  And there were some strange things about the picture, which wasn't quite the pristine quality he had been expecting.  That's not to say his camera sucked.  But it was pretty clear that he was wishing he'd taken more time to compare and contrast the various options, instead of just buying one he liked.

So the main point of Part 4 is this:  Research, research, research.

Because every video is different—different creator, different goals, different styles, different timing—there's no one answer for equipment that works best for everyone.  If you came here hoping I was simply going to tell you what camera to buy and what software to use, you're going to be disappointed.  I could ask every staff writer here at ReelSEO what the best camera is and I would probably end up with four or five different answers.  There are great cameras at any price range, and they all have their own strengths and weaknesses.  I can no more easily tell you which camera to buy than I can tell you what to make your video about.

What I do want to give you, however, are some guidelines that will help you make that decision on your own, and make it with confidence.  (Please note that, while I spend most of the remainder of the article discussing cameras, these guidelines should be perfectly applicable to purchase decisions on the rest of the equipment you'll need to self-produce your video, such as audio recorders, lighting, editing software, etc.)

1 – Determine the Level of Quality Your Video Calls For

We already spent some time this week talking about the Rice University study which concludes that video quality is less important to viewers than overall entertainment value.  So despite what the media and the advertising world might be telling you, you don't absolutely have to have the top-of-the-line HD camera.  Even videos taken with an average cell phone can go viral if the content is compelling enough… like this one did:

So what kind of video are you making?  Are you making a documentary?  Because if so… then even an average picture quality will suffice.  Is it an elaborate hoax video that needs to look like an average home movie?  If so, then you might actually need a lower-quality camera, or at least an average one.  In contrast, if you're making your own short film with heavy CG, you probably wan t a higher-end camera and the best possible quality.

Let your content guide your video camera purchase, but don't forget the future content you will create.  This first video is just that—your first video.  You'll likely make many more, and they might not all be the same style.  So consider your future plans as well as the immediate video in front of you when purchasing a camera.

2 - Determine Your Budget

You can't buy what you can't afford, no matter how badly you might want it.  And I'd guess that many of you reading this series do not have as big a budget as you'd like.

Online Video Marketing Basics: Part 4   Choosing The Right Video Production EquipmentThere are good cameras all along the spectrum.  On the low end, you might check out the Flip HD cameras, or any of their competitors like this one from Kodak.  These are very affordable—under $200—and you'll be surprised at how good the picture is.

If your budget is larger, and price is no object, you'll want to look at Red cameras—or heck, why not just plop down $75,000 on this Sony?

The same is true for audio—there is good equipment up and down the line.  Software?  Yes, there is free editing software, and it's not as good as

Cut Pro, but it can often do the job for folks like you and me.  Heck, YouTube has their own free editor now that has enough basic options for most video creators.

Start with your content—what kind of quality does it require?  Then, compare that against your budget.  What can you afford that fits the parameters dictated by your content?

3 – Let Your Experience (Or Lack Thereof) Be Your Guide

Even if you want the best picture possible, it does you no good to buy a high-tech camera with all the bells and whistles if you don't actually know how to use it.  There's a reason for the existence of entire lines of "point and shoot" cameras and camcorders… and it's because a lot of people don't know what they're doing.

My digital (still) camera is just a step above point and shoot, because I am mostly clueless on lenses and aperture settings and shutter speed (though I'm trying to learn more).  If I want to end up with actual digital pictures, I need something simple.  Otherwise, I'd spin my wheels learning the convoluted settings and controls and never end up with any actual finished product.

Know your own abilities as a filmmaker, and be honest with yourself about them.  That can often whittle the field down to a much more manageable set of options when you go to purchase equipment.

4 – Read User Reviews

Online Video Marketing Basics: Part 4   Choosing The Right Video Production EquipmentAn excellent way to learn more about a piece of video equipment than the manufacturer's website will tell you is to read user reviews on sites like Amazon.com.  While there are plenty of "planted" reviews—of both the glowing and negative variety, there are a lot of real ones too.

And I wouldn't just use Amazon.  I always start there, because they seem to sell everything and I can usually find the product I'm considering.  But try some other online stores as well like Buy.com, Overstock.com—heck, even the major retail chains like Best Buy and Wal-Mart now have user reviews on their product pages.  Get a wide sampling of reviews from multiple sources, and you can usually get a great sense of a camera's pros and cons—from people who have actually used it instead of just from the people who sell it.

5 – Find Online Content You Like & Imitate

Did you know that you can search Flickr by a camera type?  Well, not exactly, but you can make it work that way for you.  I do it all the time.  A lot of photographers on Flickr will tag their video by the name of the camera they use, and you can then click that tag on a particular picture you fancy to see a ton of images created by other photographers using the same device (such a results page might look like this).

Online Video Marketing Basics: Part 4   Choosing The Right Video Production EquipmentYou can do the same kind of approach (at least in thinking) with video, particularly on Vimeo.  Vimeo's user community seems to have a higher percentage of professional videographers and artists, many of whom openly share their equipment specs.  You can simply search the site for a camera model, say… the Canon 7D, and instantly see a list of videos created with that device.

This is like looking at a web designer's portfolio before hiring them to do your redesign.  You can check out examples of the finished product before making a final purchase selection.  Maybe you've narrowed your options down to a handful of models that fit your needs and budget… why not go and view some video samples of what each is capable of to help you make your final decision?  (Note: you can do similar things with audio devices, lighting equipment, screen capture software, and editing programs as well.)

I've even emailed a Vimeo user before to ask a question about the equipment they used, and they responded, giving me more detail on how they captured a particular look or effect.

Final Tips

  • Don't underestimate the importance of audio. I am just one man, but I will probably never again make any kind of video without running a secondary audio device to capture the sound.  Part of the reason for this is that video cameras don't always have the best microphones--they're often video devices first, with audio being a secondary concern.  Of course, I also run secondary audio as a backup solution, should anything go wrong with the audio recorded by the camera.
  • Don't underestimate lighting either. You can have pristine audio and a sharp HD picture, but if the stars of your video have their faces shrouded in darkness, you've just shot yourself in the foot.  This doesn't necessarily mean you have to use professional lighting equipment to make a good video--but you should definitely be aware of the light in your shooting location, and make certain it matches your video's needs.
  • Don't neglect your content. As I mentioned in this recent post about video quality, split your time evenly when self-producing so that you don't skimp on the actual content itself.  It doesn't do you any good to have the very best video equipment if your actual content is lame.  Content still matters more than the video quality—they're both incredibly important, and you definitely want the best equipment you can get to help your video stand out from the pack, but quality content has to come first.  Otherwise, you're just throwing money away on fancy cameras.
  • Output options can be important. You want to make sure you transition smoothly from filming to editing, and while it's not as big a deal as it used to be, some cameras have more options for output format than others.
  • Bargain hunt. You might catch a break from a deal site like Fat Wallet.  Or you might find a company hoping to burn through excess stock by offering deep discounts.  It's probably worth checking eBay and Craigslist, too—particularly if you feel your project requires a piece of equipment that costs enough brand new to be just out of the reach of your budget.
  • Beg, trade, and borrow. Find friends who have gear you can borrow.  Trade someone something of yours (time, objects, etc.) in exchange for the use of their high-end equipment.  I have a friend who is wrapping up a feature-length independent movie where not one ounce of his modest budget had to be spent on gear because he was so diligent about making deals with friends.

Video is important.  It's popular.  But in your rush to join the trend and start making videos, don't move so quickly that you make poor decisions.  Your videos are worth the extra time you put in on the front end in choosing and purchasing your gear.  I'm not aware of a single person who ever said, "Gosh darn it, I love my finished HD video, but I wish I'd spent less time researching the equipment and just bought the first thing I saw.”  Contrast that with the legions of video producers who have learned lessons the hard way—by screwing up—and ended up regretting the fact that they didn't do more research.

Stay tuned for Part 5 of our Online Video Marketing Basics: Distribution Decisions

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About the Author -
Jeremy Scott is the founder of The Viral Orchard, an Internet marketing firm offering content writing and development services, viral marketing consulting, and SEO services. Jeremy writes constantly, loves online video, and enjoys helping small businesses succeed in any way he can. View All Posts By -

What do you think? ▼
  • Russ_Somers

    Great post! Goal-setting, research, and knowing what you're getting into are keys. You hit on all of those.

    Talmadge Boyd and Weston Norton wrote an eBook that's a great resource, http://www.reelsocialmedia.com/The-17-Essential-Tools-You-Need-To-Produce-Your-Own-Videos.pdf

  • http://www.pushstream.com Matt Blasses

    You're absolutely correct about research. It's important to know all of your options before you end up with equipment that doesn't suit your needs. By the same token, ReelSEO's article on video quality vs. content quality should be strongly considered as well. If your content is great, viewers will eat it up.

  • Amani Channel

    Great post, and great info. I would recommend that a beginner consider a Zi8. I've enjoyed mine (I have two as a matter of fact). I even shot a "low budget" client video with it. The plus is the mic input and it shoots 1080p or 720p. I would also advise anyone who is considering producing their own content take an honest look at how much time they can dedicate to learning the work flow, and post-production process. It's one thing to shoot the content, it's another to actually edit or even finalize a video (compress etc).

    At the end of the day, the thing that matters most is the content, though your audio quality and issues like framing, can get in the way of the message if you're not careful.

    I've enjoyed reading the content on your site and find it very helpful, and insightful.

    Here's a recent blog post I wrote that follows your thoughts.
    http://www.myurbanreport.com/2010/08/your-video-may-suck-but-does-it-matter/

    Thanks!

    Amani Channel
    @urbanreporter @visualeyemedia
    http://www.visualeyemedia.com

  • http://www.VideoLeadsOnline.com/ Ronnie Bincer

    Good article, but yes I was disappointed re. not getting a shortlist of "equipment". Being told to research is nice, but we are lazy (or busy doing other stuff) and want some of it done for us ;-)

    Maybe I'm lost, but I thought this REELSEO site was about online video stuff. So you could put up a short list of equipment that may match the Online crowd and not try to satisfy all the Video Geeks out there. (use a disclaimer that this site is "focused" (punny huh?) on the online crowd... just my two barks worth!

  • Tdanyo

    I like the way you guided the reader to purchase the equipment that works within their skill level and not to necessarily go for the better HD cams if you don't need too. Your point about audio being critical is also highly noted. Bad audio is the bane of internet video right now. (garbled, muddled, in-audible audio sux!)

    Content is king, but poorly shot video of good content is not as good as well shot video of the same content. Why settle for less? I understand that many internet video projects don't need 20 million dollar Hollywood budgets, but I do think that shaky, zoomy, in-audible home movie type video is going to play itself out because that is what every Joe can do, is doing and will continue to do. It may be acceptable on some levels now....

    That said, for the professional video producer, much of our work is now shifting into internet video marketing strategies and education of the client if they choose to produce video themselves. They will still need consultation and guidance to put in place a video marketing plan that works for them. They will need to be trained on the equipment as well. In many cases I've seen clients who are gung-ho about doing their own video, then come back to me and say... wow... this is harder than I thought... how much do you charge... I need this video done asap!

  • SEOpro

    Can we get some links to the other pages? Searching around for the other sections has been a pain. (SEO benefit as well as usability)

  • mcobrien

    One big benefit of hiring an experienced professional to produce a business video for you is objectivity. Being in the middle of your business, it's sometimes hard to see the forest for the trees. We've all seen ads that feature the business owner as the 'star'. Sometimes my biggest value to my clients as a video producer is to save them from themselves! As for 'viral' video, everyone wants to do it, but it means taking risks, BIG risks with your brand, to be funny, clever, over-the-top or entertaining. Honestly, unless you WANT to become a video producer, why not just spend that money going with a pro, and insure that you'll get a video that does what you need it to do? The bang-for-your-buck you'll get going with a pro will far out weigh any 'savings' you might get in the end.